Excellent Neighborhood, Top Schools... Oh, and a Zombie
2.5 stars (out of 4)
In The Bargain, a real estate agent (Dolan Wilson)
presents a couple with an offer that seems too good to be true: a spacious
house in a high-class neighborhood, with a top-notch school system, tagged at
an asking price that’s a steal. The catch? There’s a zombie in the backyard.
Dolan assures the couple that the zombie, left over from
some unidentified incident in the 70’s, isn’t long for this world. And he
optimistically reminds them that once the zombie dies, the house’s value is
sure to skyrocket.
Although the idea of living with the undead initially sets
off alarms, the couple decides it’s too great a deal to pass up. So with young
son in tow—dad reminds him to not touch or play with the zombie—the couple
moves in. Voila, instant bliss! Or is it?
There are two things that make The Bargain immensely
enjoyable: the first is Wilson, who exudes folksy charm as the realtor. Stock
patter like “and more square footage than you ever dreamed of!” and “top rated
schools!” slide so slyly off his tongue, you’d be hard pressed to tell Wilson
no.
The second is a script that’s cleverly constructed and
avoids the temptation of joke padding. It—along with the direction—similarly
avoids pushing the absurd elements beyond their breaking point, a move too many
filmmakers make in an inane bid to “help” the audience understand which parts
are supposed to be funny. If we don’t laugh, we don’t laugh.
The Bargain also demonstrates some nice tech work.
The zombie effects are top drawer. A grisly ear chomp is gooey and bloody
enough to make the squeamish recoil in disgust. A stabbing does comes off a bit
cheesy, but in context it adds to the short’s appeal.
Unfortunately, The Bargain isn’t unique enough to
stand out in an already crowded field of zombie-themed pics. Still, it’s a hell
of a lot of fun. For someone who’s bored by most things zombified—I’m including
you too Scooby-Doo— that’s more than enough.
Charles Judson is a local screen & comic book writer and a regular contributor and film critic for CinemATL.
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